The Light Pavilion by Lin Lecheng is a luminous installation placed in a village in Longyou, Zhejiang province. It's made of 660 bamboo pieces of varying lengths, LED lights and other light strips. The flow of the colorful lights of the pavilion is programmatically designed. It took Lin six months to complete the work with help from locals.
Lin says the artwork can help to decorate public spaces in China's rural areas and he will make more such fiber art in the future.
The ongoing show is separated into two parts－one displaying works by Chinese artists and the other displaying pieces by US artists.
"You can see the difference between the works by artists from the two countries," Yue says.
The Chinese artists' works are dominated by black and white while those by US artists use bright colors.
Chinese artists focus more on the implication of technologies in their works while their US counterparts concentrate more on expression.
The reason for the contrast can be partly attributed to cultural differences and partly to the different development phases of fiber art in the two countries, Yue says.
Fiber art had reached its peak in the 1970s in the US while some colleges in China established majors in fiber art in the 2000s.
While the traditional craft of weaving has a long history in China, the contemporary fiber art to combine it with new materials and technologies started to develop after 2000.
Lu Xiaobo, dean of the Academy of Arts and Design at Tsinghua University, says technological development is often an element propelling the evolution of art. "Fiber art has accomplished interdisciplinary and cross-disciplinary approaches under the movement of the integration of art and science."
The show was conceived two years ago as a physical exhibition. Its opening was planned for April. However, due to the pandemic, it was moved to a virtual space (fibertechart.ad.tsinghua.edu.cn) designed by Tsinghua University, where people can view it.
"I hope this exhibition will allow fiber artists and audiences to re-examine where this field is at present, and will serve as an inspiration for the future generation of textile artists," says Mi-Kyoung Lee, a co-curator of the show, from the US university.
