"This demonstrates a coherent development of lacquer art across the entire Yangtze basin, indicating active exchanges between different regions," Shen adds.
A standout piece in the lacquerware section is a Warring States Period pig-shaped box for wine vessels from the Jingzhou Museum in Hubei province. The oval container, which holds drinking vessels, features symmetrical ends shaped like pigs' snouts and is exquisitely decorated. Its surface is adorned with vivid life scenes such as hunting, chariot driving, and sword dancing. These detailed illustrations offer a lively glimpse into the daily lives of the Chu people more than 2,000 years ago.
Shen compares the two cradles of Chinese civilization — the Yangtze and the Yellow River — noting their distinct characteristics. While Yellow River artifacts often convey solemnity, those from the Yangtze region tend to be more dynamic and imaginative.
A prime example in the bronze section is a Spring and Autumn Period mythical bronze beast from the Chu state, housed at the Henan Provincial Institute of Cultural Relics and Archaeology. This piece represents a pinnacle of bronze casting, with a fantastical design combining a dragon's head, a tiger's body and turtle-like feet. The dragon's head is adorned with six small mythical creatures, each unique, and it has a snake in its mouth, while another small beast perches on its back.
Yang Wensheng, deputy director of the institute, explains that each part of the beast is detachable — a remarkable feat of engineering.
"We attempted to replicate this piece using modern technology but couldn't capture the original's mythical allure. Its imaginative and lively form reveals the romantic spirit of the Chu people," Yang says.
To enhance the visitor experience, the exhibition includes interactive elements in each section. Attendees can try their hand at reassembling relic puzzles, making rubbings of bronze patterns, or applying different glaze colors to pottery jars to experience the art of ceramics.
"We expect that visitors will not only look at the artifacts but also engage with them to better understand the history behind them," she says.
