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Zhengzhou bets big on microdrama sector

By SHI BAOYIN in Zhengzhou and WANG SONGSONG | CHINA DAILY | Updated: 2025-11-11 08:53
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A microdrama is being produced at the Dazhi Film and Television Cultural Industrial Park in Zhengzhou, Henan province. [Photo provided to CHINA DAILY]

With an ambitious strategy to become a national hub for digital storytelling, Zhengzhou, the capital of Henan province in Central China, is rolling out strong support measures to attract creators and boost its microdrama industry.

According to the Zhengzhou culture, radio, television and tourism bureau, in 2024, the city was home to about 820 microdrama production companies, employing more than 30,000 people. The local microdrama market has grown rapidly, reaching a scale of over 2.3 billion yuan ($323 million) — a 28.3 percent year-on-year increase.

"Zhengzhou has many advantages for developing microdramas," said Li Runzhe, general manager of Zhengzhou Dafang Huyu Media. He said that the city has a solid base of film and television professionals, many of whom previously worked in production hubs such as Hengdian in Zhejiang province or Xi'an in Shaanxi province. Attracted by Zhengzhou's growing microdrama scene, many have returned home.

"They've brought back not only experience but also high-quality resources like production studios, strengthening the local industry chain," Li added.

One such returnee is Chen Zhongfu, a 32-year-old producer. After graduating from the Central Academy of Drama in Beijing, he first performed in stage plays in the capital and later worked in Hengdian. Over time, he explored other ventures — including a livestreaming company and an esports hotel — but his passion remained in visual storytelling.

"Shifting from traditional horizontal screens to vertical short videos felt natural. The core skills in cinematography and directing are very transferable," Chen said.

He added that the market is maturing. While early microdramas often relied on sensational plots, the industry is now attracting seasoned professionals who pay more attention to narrative logic, camera work, costumes and lighting.

Looking ahead, Chen aims to deepen his involvement in the short-form drama field, focusing on production, actor training and facility operations. "I regularly analyze top-ranking content to understand successful formulas, accumulating experience to contribute high-quality work to Zhengzhou's growing short-form video industry," Chen said. Labor and equipment costs in Zhengzhou are relatively low compared to other major production bases, helping to keep project budgets manageable.

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