China's acclaimed dance drama Wing Chun is set to premiere in North America, bringing a feast of art and Chinese kung fu to the broader global stage.

Hailing from Shenzhen — China's third Asia-Pacific Economic Cooperation summit host city and also known as China's Silicon Valley — this original production fuses traditional Chinese martial arts with contemporary performing arts.

Starting from Dec 16, it will offer Toronto audiences an immersive cultural experience at Meridian Hall, kicking off a three-week new year residency featuring 20 performances.

At a pre-premiere news conference in November, Wang Yanjun, cultural counselor of the Chinese Consulate General in Toronto, emphasized that the dance drama comes at a pivotal moment for China-Canada relations.

"This year marks the 55th anniversary of diplomatic ties between China and Canada," he said. "The performance is not only an artistic gala but also a vivid testament to the revitalization of people-to-people and cultural exchanges between the two countries," he added.

Wang continued: "Beyond a martial arts narrative, it resonates with universal themes of chasing dreams, perseverance, inheritance and spirituality that will strike a chord with audiences in both China and Canada."

Presented jointly by local multiarts companies TO Live, ADEM, and the Canada-China Cultural Development Association, the North American premiere builds on a decade-long sister-city partnership between Shenzhen and Toronto, two metropolises sharing strengths in technological innovation and cultural creativity.

Clyde Wagner, president and CEO of TO Live, said: "From the moment I experienced this theatrical masterpiece in China, I immediately knew we had to bring it to Toronto. The live performance moves like cinema, brimming with profound cultural significance and theatrical magic."

CK Liu, CEO of ADEM, said that Wing Chun has toured cities in France and beyond, receiving overwhelming praise, particularly from English-speaking audiences.

Liu added: "This is more than a dazzling dance performance — it's like a cinematic storytelling experience. Its unique charm can only be fully appreciated in person."

Like Shenzhen itself, the creative team behind Wing Chun is young, passionate, and innovative.

Staged by the Shenzhen Opera and Dance Theater, the drama premiered in 2022 and has since captivated global audiences with over 280 sold-out performances.

The dance drama is codirected and choreographed by the renowned "Twin Stars" of Chinese dance, Han Zhen and Zhou Liya, whose works including Poetic Dance: The Journey of a Legendary Landscape Painting, and Mulan have graced stages worldwide.

Heritage in motion

The production employs an innovative dual-narrative structure that weaves together two compelling threads against the backdrop of a 1990s film shoot.

One follows Ip Man's efforts to popularize Wing Chun in Hong Kong, embodying the principle of "harmony above all"; the other centers on Dachun, a retired lighting designer with an unyielding passion for cinema who works in a film archive. There, dusty relics revive his memories of his debut film project about Wing Chun, paying heartfelt tribute to ordinary people who chase their dreams.

This approach not only preserves an Eastern aesthetic but crafts an accessible, internationally resonant artistic language.

Inspired by Ip Man and his disciple Bruce Lee's legendary stories, the drama traces the 300-year evolution of Wing Chun — a Southern Chinese martial art originating in the late Ming Dynasty (1368-1644) and early Qing Dynasty (1644-1911) — from its regional roots to global prominence.

Classified as a national intangible cultural heritage in 2021, Wing Chun is defined by its focus on close-range combat, emphasizing short bridges, narrow stances, and techniques such as "borrowing force to counter force "and "overcoming hardness with softness".

It converges on stage with four other traditional martial arts: tai chi, baguazhang (eight-diagram palms), bajiquan (eight-extremities fist), and tanglangquan (praying mantis). These are seamlessly integrated with classical and modern dance.

Brought to life by dancers and cinematic stage design, the performance delivers a captivating visual feast while embodying the philosophy that "the true art of war is to stop violence".

A standout highlight lies in the costume design, crafted from xiangyunsha, a national intangible cultural heritage fabric from China's Lingnan region.

Dubbed the "soft gold of Chinese textiles", it undergoes 14 procedures and 36 processes using 100 percent plant-based dyes, with its dyeing and finishing technique inscribed on the national intangible cultural heritage list in 2008.

Under stage lighting, the fabric exudes a subtle, ceramic-like luster, serving as a cultural symbol: Ip Man's black robe, for example, embodies both romantic longing and profound national sentiment.

Beyond the costumes, xiangyunsha is woven into the storyline; dancers manipulate the lightweight, reddish-brown fabric to add depth and texture to the narrative.

By integrating two national intangible cultural heritage elements — Wing Chun kung fu and xiangyunsha — the drama breathes vitality into ancient traditions. This fusion revitalizes the traditional cultural heritage, enriches performing arts, and bridges past and present to offer audiences a unique cultural experience.

As co-director Han Zhen noted: "Incorporating intangible cultural heritage into a dance drama is not overly complex, every region with a history has cultural heritage. The key is whether these elements organically fit the work's narrative needs. At the core of creation is staying true to one's artistic vision."