日批在线视频_内射毛片内射国产夫妻_亚洲三级小视频_在线观看亚洲大片短视频_女性向h片资源在线观看_亚洲最大网

US EUROPE AFRICA ASIA 中文
Culture

Creativity or copying

By Raymond Zhou ( China Daily ) Updated: 2016-07-04 07:44:28

When Xu Zheng and Wang Baoqiang were first paired in 2010's Lost on Way, it was uncomfortably reminiscent of Planes, Train and Automobiles, a 1987 Hollywood comedy unknown to most in China. Later, its makers acknowledged the source. Fortunately, all the jokes and gags were local, specially designed for a Chinese audience.

I often thought this film could get into legal trouble had the Hollywood side learned of it or had the remake ended up being a financial success.

I've heard accusations that Lost in Thailand, the supposed sequel to Lost on Way, borrowed liberally from Hollywood's The Hangover Part II. But the view was not widely supported in China. The only similarity, it seems, is both comedies are set in Thailand and involve buddies.

In China, the legal trouble for Lost in Thailand was the producers' decision to market it as a sequel whereas Lost on Way was made by a different company.

Giving it sequel status would be like hiring Daniel Craig in a separate spy thriller and calling it a 007 movie despite the fact that the character's name is not James Bond.

The biggest such recent controversy is last fall's sleeper hit Goodbye Mr. Loser. After it made 1.4 billion yuan at the box office, a film critic said it had plagiarized from Peggy Sue Got Married, an obscure Coppola film. The filmmakers claimed they had never seen the 1986 American film and decided to sue the critic for defamation.

While the case is still pending, I tend to believe the filmmakers. The two stories share a premise of transporting the protagonists back to an earlier period, but isn't Back to the Future a much better known precedent?

Oh, there is similarity in detail: A character wrote a song that ended up as a seminal work for a big star. But a good comedy needs a hundred details like that. I would call it a coincidence if it contains just one or a few.

When I finish a script, I often change my perspective to that of a critic and will find a dozen or more sources of inspiration for the work. I will mention them in a published article so smart people won't think I'm stealing.

Acknowledging one's sources is a sign of honesty and also an effort to differentiate faithful adaptation and free association and the hundred shades in between.

Previous Page 1 2 3 Next Page

 
Editor's Picks
Hot words

Most Popular
 
...
主站蜘蛛池模板: 99久久精品一区二区 | 麻豆视频免费在线 | 国产精品午夜影院 | 九九九在线 | 高跟肉丝丝袜呻吟啪啪网站av | 国产精品久久久久久久久久久久久久久久久 | 国产成人精品综合久久久久99 | 一级特黄毛片 | 国外av在线| av一区二区三区在线观看 | 日本精品国产 | 久久精品视频免费看 | 国产逼逼 | 青青草视频免费 | 婷婷丁香花五月天 | 亚洲男人皇宫 | 久久精品麻豆 | 国产乱码一区 | 中文在线а√在线8 | 久久男女| 成人久久久精品国产乱码一区二区 | 欧美 日韩 国产 在线观看 | 亚洲青涩在线 | 日日日日日 | 亚色视频在线观看 | 亚洲综合伊人 | 欧美黄色a级片 | 九九视频在线观看 | 国产一区免费看 | 一级免费黄色大片 | 最新天堂av | 精品看片| 欧美日韩二区三区 | 久久精品在线视频 | 亚洲国产伦理 | 日韩中文在线视频 | 精品中文视频 | 免费网站观看www在线观 | 婷婷丁香色 | 日韩看片网站 | 亚洲第一在线视频 |