日批在线视频_内射毛片内射国产夫妻_亚洲三级小视频_在线观看亚洲大片短视频_女性向h片资源在线观看_亚洲最大网

USEUROPEAFRICAASIA 中文雙語Fran?ais
China
Home / China / Life

Gender equality flies in face of style bias

By Associated Press In Cannes, France | China Daily | Updated: 2015-05-28 07:31

The Cannes Film Festival is a grand hierarchy with strictly defined elevations of movies and media access, where films are met by high praise or lowly boos. And so there was a strange fittingness that the scandal of the 68th Cannes Film Festival, where all status is measured, came down to the importance of a few inches.

Woman's footwear, of all things, was thrust to the forefront of Cannes after several women were turned away from a premiere because they weren't wearing high heels but flats. It was the kind of Cote d'Azur tempest that often overtakes Cannes, especially because the prevailing theme of this year's festival was female equality in film - the kind of roles thrust to the center of movies and the people directing them.

Cannes was in sync with the attention the issue had recently received elsewhere. But what will stick in the mind from the festival, which closed on Sunday with Jacques Audiard's refugee tale Dheepan winning the Palme d'Or, likely won't be the many panels about women in film, but the plethora of powerful leading performances by women, including Cate Blanchett (the sumptuous period romance Carol), Emily Blunt (the bleak drug war thriller Sicario), Marion Cotillard (a bleakly stylish Macbeth), Margherita Buy (the moving tribute My Mother), Emmanuelle Bercot (the up-and-down romance My King) and Charlize Theron (the explosive Mad Max: Fury Road).

But what is a hit on the Croisette is sometimes a blip back home. As the glow of Cannes fades, here are the films from the festival that may sustain the buzz they earned on the Riviera:

Todd Haynes' Carol is grippingly contemporary despite the lushness of its period drama. Based on the 1952 Patricia Highsmith novel The Price of Salt, the film stars Blanchett and Rooney Mara as two women who are intractably drawn together, but who must cloak their budding romance in disguised gestures and subtle glances.

Moviegoers who see Audiard's Dheepan will have a choice between siding with Cannes critics or the Coen brothers. Though many Cannes scribes didn't embrace the French filmmaker's latest as warmly as his previous efforts, the jury led by Joel and Ethan Coen surprisingly picked Dheepan for the Palme d'Or.

Outside of the festival, Dheepan may resonate better for its tale of Sri Lankan refugees posing as a family in order to gain asylum in France.

Cannes isn't known for its genre thrills. But just as the cinematic horror hit It Follows drew raves at the festival last year, The Green Room, by Jeremy Saulnier, should be marked by thriller fans. In his second film following the lean revenge film Blue Ruin, Saulnier steps confidently into a bigger production, co-starring Patrick Stewart, about a touring hardcore punk band that runs into trouble at a backwoods gig for Neo-Nazi skinheads.

Editor's picks
Copyright 1995 - . All rights reserved. The content (including but not limited to text, photo, multimedia information, etc) published in this site belongs to China Daily Information Co (CDIC). Without written authorization from CDIC, such content shall not be republished or used in any form. Note: Browsers with 1024*768 or higher resolution are suggested for this site.
License for publishing multimedia online 0108263

Registration Number: 130349
FOLLOW US
主站蜘蛛池模板: 亚洲最大成人av | 色一情一伦一子一伦一区 | 青草国产| 天天舔天天插 | 四虎永久免费网站 | 一区二区欧美日韩 | mm131午夜| 日韩免费中文字幕 | 一级特黄aaaaaa大片 | 成人性色生活片 | 国产免费一区二区三区四区 | 婷婷伊人综合中文字幕 | 亚洲专区第一页 | www 在线观看视频 | 小泽玛利亚一区二区三区视频 | 欧美日韩一区二区在线 | 日韩一级片在线观看 | 亚洲精品一级片 | 欧美日韩性视频 | 国产99久久 | 五月婷婷六月色 | 欧美www. | 日本高清有码 | 精品国产一二区 | 亚洲一区欧美一区 | 黄色网zhan | 成人免费一级视频 | 四虎新网址 | 久久人视频 | 日韩中文视频 | 亚洲一区二区自拍 | 国产婷婷 | 日韩国产精品一区二区 | 亚洲国产精品久久久久久 | 国产资源站 | 日韩av免费一区 | 免费黄色国产 | 欧美一区二区三区观看 | 丁香婷婷色 | 一本岛在线| 国产亚洲视频在线 |