With spring on the way, last Saturday my family went to Badachu, a park in
the Western Hills south of the more famous Fragrant Hills Park.
In the park, there are a few road/scenic site maps, painted on billboards or
carved onto stones. It was disappointing when we could not find any store that
sold a booklet about the park. We took the hills as a popular exercise site, as
we could see lots of people climbing the hills.
It only dawned on us that this is also a place for Buddhists, who pay their
tributes to the Buddha and ask for his blessing, when we entered the courtyard
of Lingguang Temple and made three circles around the stupa.
After climbing a flight of stairs behind the stupa, we found ourselves
staring at a huge stone bas-relief sculpture. Featured were some 500 Buddhist
arhat Buddhists who have attained enlightenment and freed themselves of greed,
hatred and delusion in different postures with varied but vivid facial
expressions.
We've been to quite a few Buddhist temples over the years, but few
contemporary sculptures of arhats are as stunning and lively as this one.
Visitors who chance to see this sculpture invariably spend a lot of time here,
capturing the arhats on film.
We began to look around, in search of when and where the sculpting was done.
Above all, we wanted to know who designed and created this fantastic work.
We did see a long list names carved into a black stone wall, and they were
people who donated money for the project, in return for the Buddha's good
prophecy.
In the park, or inside the temple's bookstore, we couldn't find a single
plaque or booklet telling people who did it, when, where and how they
accomplished it.
Only from the Internet, did we find out that it took some 40 stonemasons in
Putian, East China's Fujian Province, some two years to design and finish
carving the bas relief sculpture. The whole work, about 25 metres wide and 8.35
metres tall, was done on 30-odd pieces of stone of various sizes so that the
finished work appears seamless.
We were sorry that viewers of this huge sculpture can't link the fine crafts
to the actual people who did the work.
And we find it hard to accept the neglect.
It may be customary for creators of Buddhist artefacts to maintain their
anonymity as their way to show their devotion to the Buddha.
Or it may be natural for the crafts people from Putian to remain anonymous as
they are, after all, common stonemasons, and stone craft is a major local
business.
Or it may be this is only a piece of ordinary work by common Putian
stonemasons not worth public citation.
There are too many of such excuses for not recognizing many people's good
creative work.
But in an era when we talk a lot about creativity and innovation, we should
create an environment in which the creators and innovators, whether they are in
the field of science and technology or arts and crafts, should be respected and
duly noted in public.
It should become a rule to give credit to everybody, ordinary or famous, who
creates art works for public display.
Email: lixing@chinadaily.com.cn
(China Daily 03/09/2006 page4)
