WORLD> Death
|
WORLD> Death
|
|
Jackson was energetic, upbeat ahead of London tour
(Agencies)
Updated: 2009-06-27 20:35 Jackson and his choreographers, band and dancers took over about four of the 11 studios at Centerstaging. Jackson would wander in and out of the studios, keeping tabs on the work and would often sit on a large black leather couch and listen to the band practice. He frequently offered band members suggestions and took an interest in the mixing levels for the concert's soundtrack, according to those who worked with him at the sound stage. They spoke on condition of anonymity because they had signed confidentiality agreements. Caswell and other workers at the studio said Jackson would arrive in a Sport Utility Vehicle, with another vehicle following, about four or five times a week. One of the SUVs ferried Jackson, but the second was to fake out the paparazzi and European fans who flocked outside the studio's doors. Jackson, an infamous recluse, would always crack a window and allow fans to pass CDs in for him to autograph. "There would be tons of fans - European fans -- they weren't sharing the information with anyone else that he was coming here with anyone else. They didn't want to spoil the exclusivity," Caswell said. Max Miller, a dispatch manager at the studios, said he saw the singer work on a transition routine between two songs. Miller's team aimed a spotlight at the stage area as Jackson, wearing a black suit, practiced the moves with no music and just a metronome clicking. "He was totally dancing like top-notch. He seemed totally good," Miller said. "He seemed totally cool and really focused." As focused as energized as he was in Burbank, Jackson seemed even more excited about his comeback as the concert date approached. He recently moved his rehearsals to The Forum, the Los Angeles Lakers' former arena in Inglewood, and ultimately to the Staples Center, where he was rehearsing daily, sometimes for hours. Ken Ehrlich, executive producer of Grammy Awards, said he met Jackson there on Wednesday for a business meeting and spoke to him for about 20 minutes before Jackson invited him to watch him rehearse. Ehrlich, who has known Jackson for years, said he was amazed by the singer's vitality and focus as he practiced moves with backup dancers and a handful of choreographers. The choreographers walked him through moves and gave him stage directions. They also introduced him to some new props and appeared to be working with Jackson to incorporate them into the show. "Michael was digesting it all. He was learning, but even with that, there were times during the songs where his singing was full out," Ehrlich said. "I would watch him move across the floor like the Michael of old. I was convinced (the comeback) was going to be the Michael of old." Ehrlich said he left after watching Jackson work through five or six numbers, but got chills from watching him -- a memory that seems especially precious now. The star showed no signs that he would die less than 24 hours later, he said. "There was this one moment, he was moving across the stage and he was doing these trademark Michael moves, and I know I got this big grin on my face, and I started thinking to myself, 'You know, it's been years since I've seen that,"' he said. "There was that Michael that was just like no one else and no one else could touch," he said. "The shame is that new generation won't see that -- but we all came close to being able to see it again." Associated Press writers Lynn Elber, Raquel Maria Dillon, Beth Harris, Solvej Schou and Thomas Watkins contributed to this report.
|
