日批在线视频_内射毛片内射国产夫妻_亚洲三级小视频_在线观看亚洲大片短视频_女性向h片资源在线观看_亚洲最大网

您現(xiàn)在的位置: Language Tips> Columnist> Raymond Zhou  
 





 
Do we really know what is good?
[ 2008-01-21 14:54 ]
By Raymond Zhou

The coming Oscars ceremony may be threatened by the ongoing writers' strike, but Chinese entertainment reporters and cineastes have one less reason to worry about it. This week, it was announced that all three Chinese language movies submitted for Best Foreign Language Picture consideration - from the Chinese mainland, Hong Kong and Taiwan - failed to get on the nine-nominee shortlist.

This may not say much about the quality of these films. Voting for a best artistic work is capricious at best because art, as beauty, is often in the eye of the beholder. Case in point: this year, many of the most promising movies - the Chinese submissions not included - were snubbed in this category.

We may not like to admit it, but we look towards Western confirmation for the excellence of Chinese films, or the lack of it. Chen Kaige did not become a "master" until his Farewell, My Concubine took the coveted Palme d'Or. Zhang Yimou did not secure his status until he was consistently lauded by the big three European awards.

Our lack of an aesthetic authority or standard of our own is the result of many factors: Our own prizes are often pretenders. They may be preceded by lavish stage productions, but the selection process is opaque and whatever yardsticks that can be detected smack of outdated mentalities. Our entertainment press rarely looks beyond the box-office champions, and our academic journals are laden with second-hand research at least 20 years out of sync with the times.

Most of all, we do not have the self-confidence to assert our own aesthetic standards when it comes to our own artistic work.

We Chinese have a saying: "A flower blossoms outside the wall, and its fragrance wafts into the courtyard." That means, you'll have to leverage outside forces to build your name inside. That is good when a genius is overlooked at home and trumpeted overseas. If you reverse the equation, things no longer look good.

Cultural differences exist, even in this age of globalization. In the 1980s, a widely acclaimed Chinese movie, My Memory of Old Beijing aspired for an Oscar and failed to make the grade. Nobody in China lamented. The film had such a quintessential Chinese style that it was only natural that outsiders did not pick up the nuances. If we left the selection of the greatest Chinese fiction to Western experts, Dream of the Red Mansions would never fit the bill.

I'm not advertising a psychological balancing act by discounting the significance of Western accolades, an attitude many Chinese filmmakers have adopted in their frustration over their perceived neglect. What I'm saying is, we should know what is good Chinese art even when outsiders do not recognize it because we live in this country and live the aesthetic values espoused by these works.

One way to assert our cultural identity is to introduce to the outside world what is truly good and great in our literary and artistic canon, not what suits the current political winds. Familiarize opinion leaders such as media critics, academics, agents and impresarios with these works. Their attention has been drawn to those we tend to demonize. Beijing's 798 art community was almost demolished until it became a favorite destination for foreign visitors. And honestly, many of our official submissions to the Oscars are so mediocre that I wonder if those in charge of the selection process have any clue of what is universally considered high quality.

Do not get carried away when our traditional arts get respect. It is more important that they are understood and appreciated. Italian opera is performed all over the world - often by non-Italians; in comparison, Peking Opera is like museum art.

E-mail: raymondzhou@chinadaily.com.cn

(China Daily 01/19/2008 page4)

我要看更多專(zhuān)欄文章

 
 
相關(guān)文章 Related Stories
 

 

 

 
 

本頻道最新推薦

     
  Do we really know what is good?
  Ifs and buts
  什么是subprime mortgage
  Thieves of the State's coal fields
  Anything goes?

論壇熱貼

     
  pee park
  狗不理譯成“Go Believe”?
  to my 2007
  《康定情歌》有誰(shuí)可以譯出韻味來(lái)?
  被宰了
  破罐子破摔




主站蜘蛛池模板: 日韩欧美一区二区三区四区 | www.av天天 | 亚洲激情视频网 | 欧美午夜理伦三级在线观看 | 国产一二三级 | 精品在线免费视频 | 亚洲国产成人91porn | 激情自拍偷拍 | 欧美淫视频 | 久久精品伦理 | 亚洲成人精品在线播放 | 波多野结衣久久 | 亚洲一区二区免费视频 | 狠狠干91 | 黑人操亚洲女人 | 日韩成人在线网站 | 天堂中文在线观看视频 | 亚洲日本va | 久热香蕉视频 | 日韩免费一区 | 色天天综合 | 国产黄色网 | 日韩有码一区 | 日韩在线免费 | 久操视频在线播放 | 91亚洲精品国偷拍 | 欧美一级爱爱 | 中文字幕日本视频 | www.亚洲欧美 | 丁香在线视频 | 欧美黄色a级 | 黄色中文视频 | 久久成人久久爱 | 五月琪琪 | 国产精品一二三四五区 | 日韩欧美在线观看一区二区 | 涩涩天堂 | 日本婷婷 | 久久久久久久久久久国产精品 | 亚洲国产网站 | av三级 |